It's been a while since we have seen a decent black comedy on the Hollywood scene. More times than not, America is unwilling and insecure about dark themes such as murder for laughs. While Horrible Bosses is not a classic by any standards, it is still nice to see a film like this in a market usually stuffed with romantic comedies or males bonding over acting like adolescents. That the film is the reasonably diverting experience that it is, is down to it's lead cast. They help sell the darkness of the premise through, so it doesn't leave a bad taste in the mouth. The film is pure farce, but coasts by on it's lead trios sensibilities. Falling somewhere in between Strangers on a Train and Throw Momma From a Train (something the film gleefully name checks) the film follows three undervalued and very frustrated workers played by Charlie Day and Jason's Bateman & Sudeikis. All of them are good people and just want to work in a non hostile environment and in a place where they can be allowed to reach their full potential. However, all three are hamstrung in their respective positions by their evil bosses. Their bosses are each played with relish by Kevin Spacey (psychotic, morally duplicitous) Colin Farrell (cokehead, clueless and ignorant) and Jennifer Aniston (sex crazed, nympho). Each one goes for their ugly characters with aplomb and show no qualms about acting against type. Sure Spacey has done his bastard office boss a few times in the past but we have never seen Farrell or more importantly Aniston go this against previous conventions like this before. So after one drunken night, the guys decide to hire a murder consultant called 'Motherfucker' Jones played by Jamie Foxx (the story of how he got his moniker is priceless) to help them off their respective bosses. Of course, it is from here that things spiral wildly out of control for the guys.
The film flirts dangerously with going off the rails at a few points. Luckily Seth Gordon (who directed the masterful The King of Kong) and his leading trio keep things on track just as your mind begins to wander. The film is very uneven and features a large overabundance of missing gags from it's beginning and end. This top ended feeling stems from people trying too hard for those laughs that just aren't there. Thankfully, the second act of the film finally shifts into gear as they have to get information on their different targets. Featuring cats, bathroom utensils, a syringe and some cocaine, the extended sequence certainly provide the films funniest moments. Praise as well to everyone for trying even as slightly as this film does, to push the darkness. Of course, the fact that the bosses are as broad as they are only helps sell the reasons why anyone would want them dead. Although Farrell is underused and Aniston's performance is largely one note, they still help control the films charms. At the end of the day there is nothing here truly remarkable or memorable, other than a reasonably diverting Saturday night. You'll laugh and chuckle with the guys, but don't expect anything to truly register. It features it's fair share of contrivances and is wildly uneven, but it is an at times very funny comedy. In the end, your enjoyment will depend on whether or not you can accept the fact that any man would ever want Jennifer Aniston dead for trying to have sex with him.
Verdict: 6/10
A noticeably short supply of jokes at both ends of the film do not hamper what for the most part, is a raucous comedy. Events coast by on the easy charms of it's leads. Just don't expect to remember it afterwards.
"Horrible Bosses" Trailer
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Showing posts with label Seth Gordon. Show all posts
Showing posts with label Seth Gordon. Show all posts
Monday, July 25, 2011
Saturday, April 3, 2010
Retrospective - 'The King of Kong' 2007

Here is something genuinely original, which proves that sometimes, fact can be much more crazier than fiction. One of the most compelling and hilarious documentaries I have seen in recent memory; this is nigh on unmissable stuff for almost anybody. In fact, many of the films scenarios are almost too perfect. I mean, most Hollywood movies don't have plots or characters as compelling as those seen here. It has everything you could want from a film. The underdog everybody is rooting to come through and win in the end, some hilarious supporting players, a compelling story and a great 'boo-hiss' villain. And it's all real. And it's all about middle aged computer game nerds. And despite what you may be thinking, it really is that exciting.
The documentary centers primarily on the titular 'Donkey Kong', arcade video game from the 80's. Except, and despite it being the 21st Century, many people seem caught in a time loop, forever dedicated to their love of retro gaming. And not only that, but competitive retro gaming. It is too easy to call these people nerds. Gaming is what they live for. They are real people and are presented as such. And it is not just those middle aged, speccy man-boys that feature here. Along the way we see an elderly lady competing in the tournament also suggesting that the audience for these old arcade games, while small, are most definately diverse. So this small group are dedicated to their love and in competing for the highest scores and bragging rights. All this is for their passion, not to win money or accolades. They simply want to be recognised among their peers. These organised tournaments feature referees, rules and the chance for the players to 'perform' as it were, to live audiences. Out of the crowds the film follows 2 men, both in their late 30's/early 40's and both hell bent on claiming the highest Donkey Kong score. And this is where the film comes into its own. The casting. This is down to one person particularly: Billy Mitchell. A cocky, self indulgant, heavily mulleted and unintentionally hilarious human, he is the perfect villain for the film. One look and you're already hissing him and yet you cannot tear you eyes away. He has surrounded himself with sycophants who worship him and the very high scores he set for the game (albeit back in the early 80's). As a result his ego is almost as big as his hair. Watching him smugly tour the gamesfloor with his trophy wife at his side, you want to simultaneously smack and laugh at him. This is in stark contrast to Steve Wiebe, our underdog. While Mitchell has been in the gaming eye for decades now, Wiebe is the new pretender. He is ready made with the audience cheering for him from the start. A beautiful family, recently laid off and not to mention his proficiancy in not only video games, but also various sports and musical instruments, he has our affections instantly. He is simply one of those guys who never got his break in life, despite the fact of just how talented he is. Could defeating Mitchell be that success that has eluded him his whole life? The rivalry and competition follows, as well as all those involved play out the next action packed 80 or so minutes. And did I mention, it is all about video games?!
Director Seth Gordon does an excellent job with the story. As stated earlier, Wiebe and Mitchell are both tailer made protagonists for the film, but the fact that it is supported by those involved with the competition adds to the comedy. Most are against Wiebe, and most try their best to put him off in various and dirty ways. This is despite the fact that Wiebe has to constantly prove himself on live gaming runs, while Mitchell gets to send in dubiously edited footage of himself beating the game to receive all the accolades that should be Wiebes. It is reveting and compelling stuff. Mitchell cuts a ridiculous picture of a person. Director Gordon said the real life man was worse than that depicted in the film. His worst moments it seems where left out in order to maintain the light tone of the picture. As it stands, he is unforgettable. He hypocritically changes various phrases and sayings throughout the film to suit him. That hair, that beard, that tie, his pseudo intellectual musings on winning and what it means to be a winner, they are too good to be true.
Unfortunately, it all may just be too good to be true as it turns out. As entertaining as it all is, I kept on getting the feeling that Gordon leisurely edited his way around the story and certain events. Which upon later research, I found to be actually the case. So, while no one is portrayed innacurately, certain events have been played around with, in order to maintain dramatic effect for the picture. Upon seeing just what was changed and tweaked, I personally believe them to be for the benefit of the film, and as such, do not personally hold it against either the film or Director. Your own opinion may differ if you feel the Director and Editor cheated themselves around the 'Documentary' genre. As it stands, I believe a small does of creative license with certain events can mostly benefit the subject, as long as it does not twist and morph facts. Gordon seems to have omitted certain things here and there, but for me, it serves as no purpose leaving them in, other than taking away tension from proceedings. I might feel different on other cases, but for this, I found the small tweaks to be for the benefit of the film.
Overall, here is an incredibly entertaining portrayal of men who refuse to grow up. Yes the film could be presented on a darker note (the fact that family and friends are ignored when the great Wiebe's 'Kong' obsession takes hold, that the rivalry seems to be dominating both mens lives, the 'real' Mitchell) but really, could you take a film about such a subject matter as that serious? Those featured here are completely unaware of how they appear to people, but their love for gaming shines through it all. The various back stabbings, intense rivalries and dirty mind tricks are all played out in such a ridiculous background, you cannot help but laugh. As a result, you grow attached to these people. You understand their thrill at seeing a Donkey Kong 'kill screen' for the first time, but don't have to nessessarily commend it. It's all they have in life. It is their own personal mark on history. Gordon is very focused with proceedings and with such a story on his hands he turns out a very crowd pleasing tale. This story has laughs, tears, tension, action, romance and is more exciting than most Hollywood Blockbusters. It could be viewed in manner of different ways; a metaphor for the Generation X's inability to grow up, modern America's growing obsession with gaming, a critique of the American Dream or as simply an old fashioned David and Goliath story. Take your pick as all work excellently towards the final product.
Verdict: 81%
Gordon delivers a universal story played out in almost pitch perfect fashion. Minor liberties taken with certain events aside, he provides everything a Documentary should, along with what most Fiction films should too, all undercutted to an excellent retro 80's soundtrack. Seek out this 'King' and enjoy, just don't get any ideas to attempt to beat either Mitchell or Wiebe's scores afterwards....
Trailer:
Labels:
80's Throwback,
Billy Mitchell,
Comedy,
Documentary,
Retro,
Retrospective,
Seth Gordon,
Sports,
Steve Wiebe
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