Super 8

Inevitably and almost unfairly Super 8 has to be able to stand up to some of the greatest films ever made. JJ Abrams certainly has set the bar high for himself. You see, by crafting something as deliciously nostalgic and warm as Super 8, it must first come out out of the shadow of it's forebears and stand on it's own. That shadow is Steven Spielberg, the man who's DNA permeates every frame of Super 8. Abrams has made a film-cum-love letter to the man and for 112 minutes, we are in one epic homage to the legend. Not many filmmakers could stand up to such glaring reverence on screen, but Spielberg has influenced so many directors now, that it seems a film like Super 8 was inevitable. And while the man himself has not made a film since 2008, this is certainly the Summer of Spielberg. He has produced many of the years tent pole releases and the rest owe a great deal to him. The one thing that ties these films (Cowboys & Aliens, Transformers 3) together is extraterrestrials; a genre that has always been synonymous with the man. Here it reaches it's apex in Super 8, a lovingly crafted throwback to simpler times and better movies. So while Spielberg produces, Abrams has taken it upon himself to try and recreate some of the magic the bearded man has put up on screen. As a result, the film is a perfect hybrid of both their styles. Abrams wrote and directed and it is obvious the story is personal to him. What is surprising that for such an 'event' film like this, it is the story and characters we take away from it, rather than it's set pieces. Not that this film doesn't have any 'wow' moments; far from it, but they refreshingly occur at the service of the plot, rather than being for the sake of it just to keep the young 'uns interested.

We all sat up and took notice at that that trailer last year. The teaser with the giant train crash. Abrams immediately courted interest and efficiently drummed up plenty of hype with a simple unannounced and unknown teaser trailer. After that the film was coated in secrecy. No one could tell you a thing about the film and speculation about what had escaped from that destroyed carriage, took root in message boards all over the internet. Not that there was any big secret about the film; rather Abrams simply wanted the audience to walk into the film and not feel like they had already watched the damn thing. Plenty of films this Summer had shown their hand in promotional materials well before their release; Super 8 is notable for the fact that it is the only one we knew quite little about. It's hype came from the not knowing. So what we now know is this: set in 1979, the film centres on a group of young boys that are filming their own super low budget DIY zombie film. Upon filming one night, the boys (and girl) are caught in the midst of a catastrophic derailing of a train and from that wreckage, a mysterious creature emerges and begins to wreck havoc on a small town. In between the vicious alien attacks and frequently stunning (but low key) special effects there is the very simple story of one young boy, Joe (Joel Courtney), struggling to come to terms with his mothers untimely death (the fractured family is a Spielberg mainstay) and reconnect with his workaholic Father (Kyle Chandler) by way of getting the girl and catching the 'evil' monster. Abrams cast the young group impeccably. In a film in which most of the characters are under 15, you better make sure that A) they can act and B) they aren't annoying. While some deliveries and moments of humour are a bit off, they are all wonderful for the most part; impressively cussin' and hollering - reacting as most kids would to the larger than life situations they find themselves in. While the third act of the story doesn't wholly deliver on what had gone before it and raises just a few plot holes, the overall effect is unexpectedly moving and touching. Aided by Michael Giacchino's best John Williams impression, the score is suitably grandiose and intimately heartfelt. Overall this is a very welcome and exciting blockbuster that favours story and character over bombarding it's audience with explosions and violence. And in that train crash we glimpsed in the trailer we have the best action scene of the year; heart stoppingly tense and incredibly executed. As all the hulking shards of metal tumble into each other and collapse over the fleeing group, it is that human element which helps sell the danger - we care about these kids.

Verdict: 7/10
The group of kids (The Goonies) all nail their characters. The emotion (E.T.) is touching. The sci-fi (Close Encounters of the Third Kind) is suitably mysterious and the monster (Jurassic Park) is a ferocious treat. Abrams set out to out-Spielberg Spielberg and while the mans oeuvre is too classic to touch, he still does a pretty decent job. Taken on it's own merits, Super 8 is a wonderfully made and lovingly retro hark back to a long gone era of film making. He also turns in the best blockbuster this Summer so far.

"Super 8" Trailer